So, it turns out that shooting analogue doesn’t cure GAS at all.
After a few weeks of using the Trip 35, which I really love, I’ve managed to get hold of a film camera with auto-focus. This lovely Rollei compact belongs to my brother. I don’t think he’s used it much in the last 20 years, and he kindly gave it to me.
This is the first 35mm camera I’ve had with autofocus and I notice a big difference. Far fewer shots are not sharp and shots seems much sharper than using zone focussing with the Trip 35.
In fact this camera seems to achieve focus very quickly, probably faster than my MFT cameras. Here’s an example of a snatched shot while crossing the street.
I’ve now processed my second film. Again it was Ilford fp4. The camera this time was a Trip 35. It worked well for street photography although I found the zone focussing a challenge. I got 38 images on a 36 spool which seems good value too.
Here are a few favourites from the resulting images. They are not the sharpest – that’s probably my fault.
I recently became the proud owner of this lovely wee camera. I’ve spent hours pouring over similar specimens online and also incredible refurbished versions such as sold by Tripman. I finally purchased this from the veritable Aladdin’s cave of secondhand cameras that is Ffordes.
Here’s the thing. It’s a fully automatic camera which chooses the exposure for you, all you have to do is choose the correct zone focus setting. When using it I’m not the least concerned by this, in fact it’s quite freeing. But then creeps over me slight uneasiness at my feelings of pride and superiority when I lend a mft camera to a family member who always requests it set to intelligent auto mode.
Shame on me for this double standard, as if replacing a digital sensor with film suddenly makes auto mode more ‘technical’.