I’ve now processed my second film. Again it was Ilford fp4. The camera this time was a Trip 35. It worked well for street photography although I found the zone focussing a challenge. I got 38 images on a 36 spool which seems good value too.
Here are a few favourites from the resulting images. They are not the sharpest – that’s probably my fault.
We’ve recently been to Sicily. It was a family trip and I’ve learned that it’s not really possible to be a useful dad and focus on taking photos. So I simply used my phone and snatched the odd image before … Continue reading →
I recently became the proud owner of this lovely wee camera. I’ve spent hours pouring over similar specimens online and also incredible refurbished versions such as sold by Tripman. I finally purchased this from the veritable Aladdin’s cave of secondhand cameras that is Ffordes.
Here’s the thing. It’s a fully automatic camera which chooses the exposure for you, all you have to do is choose the correct zone focus setting. When using it I’m not the least concerned by this, in fact it’s quite freeing. But then creeps over me slight uneasiness at my feelings of pride and superiority when I lend a mft camera to a family member who always requests it set to intelligent auto mode.
Shame on me for this double standard, as if replacing a digital sensor with film suddenly makes auto mode more ‘technical’.
This image was not the best shot from a half hour photo dash yesterday. But as I reviewed the shots today I was delighted.
Ideally, this blog would showcase some incredible craftsmanship, but clearly there are technical issues with the shot; it’s blurred, his feet are cut off, etc. Instead, I like this shot because it highlights the funny, serendipitous and even surreal wold of street photography.
I took the shot because I liked the look; sunglasses with masked face. But I couldn’t have anticipated that at the ‘decisive moment’ the bus would pass and create both a colourful background and more importantly a great subtext! That’s what makes street photography such a humbling exercise. Some of the best shots work not due to great skill and composition but as a happy accident.
Today, I found myself listening to Woman’s Hour on Radio 4. Feeling suitably confident in my masculinity, and because there was no one else in the car to laugh, I left it on. The discussion was about fashion in your 80s and 90s.
Believe it or not, it was actually pretty interesting listening to a 95 year old lady talk about how important her clothes were to her; being all she had left in terms of self-expression, and that she still dressed with the opposite sex in mind.
Later as I walked through town I passed the lady in the shot above, standing at a bus stop. I doubt she falls into the age category discussed in Woman’s Hour, but I couldn’t help notice how much effort she had made with her appearance.
I asked to take her picture, as I didn’t want to be intimidating. She seemed hesitant at first but I explained that I like to photograph interesting people and I thought she looked very glamorous. This is shot is from after the street portraits once she had relaxed a little.
So it’s out. The new OM-D EM10ii has arrived! And a beautiful little camera it is too.
Is it much better than the EM10? Probably not. It’s got new improved image stabilisation, a new improved viewfinder and the buttons are bigger and more shiny. Will it take better photographs? Again probably not.
It’s interesting to me that it has been released much more quickly than the new EM5ii. I’m sure the gap between the 5 and 5ii is at least twice that between the 10 and the 10ii. Why the shorter gap? Has it something to do with how well the EM10 sold? I read somewhere (Digital Camera Review) that the EM10 has sold either more units or more quickly than its elder and bigger brothers.
I remember buying the EM10 and being delighted. It was a step up on the Lumix G3, which was my first mft camera. Image quality was certainly a little better and the stabilisation, wifi and build quality were a bonus. Adverts and reviews raved about the quality of this lovely retro camera. And now the same adverts and reviews are saying similarly nice things about its upgrade.
As I look at the camera I once liked so much, I can’t help feel that the shine has been taken away just a little. It’s now the older model; the slightly less desirable version.
It’s crazy really to think this way. But that’s exactly how the industry want me to feel. To be slightly less happy than when I first purchased my camera. To be slightly less satisfied and to consider replacing it with the newest version. A new version which appears to have few, if any, ‘improvements’ that I need. And which will likely make little or no change to the quality of the images I make.
This is the nature of electronic equipment in the 21st Century. Old within a year and outdated within three. However, despite the reviews and the magazine adverts and articles, I do wonder if the endless effort towards newer, bigger sensored, higher resolutioned, smaller bodied and faster processed images does much for the art of photography. Are we producing better work? Or are we too preoccupied with gear to really see beyond it?